TB | Merpatiku di celah-celah batu, di persembunyian lereng-lereng gunung, perlihatkanlah wajahmu, perdengarkanlah suaramu! Sebab merdu suaramu dan elok wajahmu!" |
BIS | O merpatiku di celah-celah batu, di persembunyian lereng-lereng yang terjal, biarlah aku melihat wajahmu, dan mendengar suaramu, sebab wajahmu elok, suaramu merdu. |
FAYH | "Merpatiku bersembunyi di balik batu-batu karang di lereng gunung. Panggillah aku, perdengarkanlah suaramu yang merdu itu, dan perlihatkanlah wajahmu yang tampan.
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DRFT_WBTC | ![](../../images/_.gif) |
TL | Hai merpatiku! yang bersembunyi di dalam celah-celah bukit batu yang tinggi! biarlah aku memandang mukamu, biarlah aku mendengar suaramu, karena manislah bunyi suaramu dan eloklah parasmu. |
KSI | ![](../../images/_.gif) |
DRFT_SB | Hai merpatiku yang di celah batu pada lindungan tempat curam berilah aku memandang mukamu dan berilah aku mendengar suaramu karena manislah bunyi suaramu dan eloklah parasmu." |
BABA | ![](../../images/_.gif) |
KL1863 | ![](../../images/_.gif) |
KL1870 | ![](../../images/_.gif) |
DRFT_LDK | ![](../../images/_.gif) |
ENDE | Merpatiku, ditjelah padas, dipersembunjian pada djurang, tampakkan kepadaku parasmu, perdengarkanlah suaramu kepadaku. Sebab merdulah suaramu, dan djelita nian parasmu." |
TB_ITL_DRF | Merpatiku <03123> di celah-celah batu <05553> <02288>, di persembunyian <05643> lereng-lereng <04095> gunung, perlihatkanlah <07200> wajahmu <04758>, perdengarkanlah <08085> suaramu <06963>! Sebab <05000> <03588> merdu suaramu <06963> dan elok wajahmu <06156>!" |
TL_ITL_DRF | Hai merpatiku <02288>! merpatiku <03123>! yang bersembunyi <04095> <02288> di dalam celah-celah <04095> celah-celah bukit batu <05553> yang tinggi! biarlah aku memandang <07200> mukamu, biarlah aku mendengar <08085> suaramu <06963>, karena <03588> manislah bunyi suaramu <06963> dan eloklah <06156> parasmu <05000>. |
AV# | O my dove <03123>, [that art] in the clefts <02288> of the rock <05553>, in the secret <05643> [places] of the stairs <04095>, let me see <07200> (8685) thy countenance <04758>, let me hear <08085> (8685) thy voice <06963>; for sweet <06156> [is] thy voice <06963>, and thy countenance <04758> [is] comely <05000>. |
BBE | O my dove, you are in the holes of the mountain sides, in the cracks of the high hills; let me see your face, let your voice come to my ears; for sweet is your voice, and your face is fair. |
MESSAGE | Come, my shy and modest dove--leave your seclusion, come out in the open. Let me see your face, let me hear your voice. For your voice is soothing and your face is ravishing. |
NKJV | "O my dove, in the clefts of the rock, In the secret [places] of the cliff, Let me see your face, Let me hear your voice; For your voice [is] sweet, And your face [is] lovely." |
PHILIPS | ![](../../images/_.gif) |
RWEBSTR | O my dove, [that art] in the clefts of the rock, in the secret [places] of the stairs, let me see thy countenance, let me hear thy voice; for sweet [is] thy voice, and thy countenance [is] comely. |
GWV | My dove, in the hiding places of the rocky crevices, in the secret places of the cliffs, let me see your figure and hear your voice. Your voice is sweet, and your figure is lovely." |
NET | The Lover to His Beloved: O my dove,* in the clefts of the rock, in the hiding places of the mountain crags, let me see your face, let me hear your voice; for your voice is sweet, and your face is lovely. |
NET | 2:14 O my dove,105 sn The dove was a common figure for romantic love in ancient Near Eastern love literature. This emphasis seems to be suggested by his use of the term “my dove.” Just as the young man heard the voice of the turtledove in 2:12, so now he wants to hear her voice. Doves were often associated with timidity in the ancient world. Being virtually defenseless, they would often take refuge in crevices and cliffs for safety (Jer 48:28). The emphasis on timidity and the need for security is undoubtedly the emphasis here because of the explicit description of this “dove” hiding in the “clefts of the rock” and in “the hiding places of the mountain crevice.” Fortresses were sometimes built in the clefts of the rocks on mountainsides because they were inaccessible and therefore, in a secure place of safety (Jer 49:16; Obad 3). Perhaps he realized it might be intimidating for her to join him and communicate with him freely. She would need to feel secure in his love to do this. It would be easy for her to hide from such emotionally exposing experiences. in the clefts of the rock,
in the hiding places of the mountain crags,
let me see your face,
let me hear your voice;
for your voice is sweet,
and your face is lovely.
The Foxes in the Vineyard The Beloved to Her Lover:
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BHSSTR | o <05000> hwan <04758> Kyarmw <06156> bre <06963> Klwq <03588> yk <06963> Klwq <0853> ta <08085> ynyeymsh <04758> Kyarm <0853> ta <07200> ynyarh <04095> hgrdmh <05643> rtob <05553> eloh <02288> ywgxb <03123> ytnwy (2:14) |
LXXM | kai {<2532> CONJ} elye {<2064> V-AAD-2S} su {<4771> P-NS} peristera {<4058> N-VSF} mou {<1473> P-GS} en {<1722> PREP} skeph {N-DSF} thv {<3588> T-GSF} petrav {<4073> N-GSF} ecomena {<2192> V-PMPNS} tou {<3588> T-GSN} proteicismatov {N-GSN} deixon {<1166> V-AAD-2S} moi {<1473> P-DS} thn {<3588> T-ASF} oqin {<3799> N-ASF} sou {<4771> P-GS} kai {<2532> CONJ} akoutison {V-AAD-2S} me {<1473> P-AS} thn {<3588> T-ASF} fwnhn {<5456> N-ASF} sou {<4771> P-GS} oti {<3754> CONJ} h {<3588> T-NSF} fwnh {<5456> N-NSF} sou {<4771> P-GS} hdeia {A-NSF} kai {<2532> CONJ} h {<3588> T-NSF} oqiv {<3799> N-NSF} sou {<4771> P-GS} wraia {<5611> A-APN} |
IGNT | ![](../../images/_.gif) |
WH | ![](../../images/_.gif) |
TR | ![](../../images/_.gif) |